Steeldrums were invented in Trinidad & Tobago. Trinidadians refer to the instrument as 'Steel Pan', but I have
given up trying to educate Americans to that fact. So I usually just call them Steeldrums. Almost all Steeldrums are still made from
the bottom side of a 55-gallon oil barrel. The Steeldrum is the only musical instrument invented in the 20th Century. Sure, there are
electric and synthesized versions of instruments that were already around, but the Steeldrum is an entirely new invention. The sound
is not generated from the size or weight of a piece of metal the way a xylophone is. Each section of the surface of a Steeldrum is
tightened and loosened with a hammer by a skilled tuner. One Steeldrum actually works as many individual drums with steel skins. At
least that's my limited understanding of it. As far as I'm concerned, it's a miracle that such an angelic and haunting sound can come
out of an oil barrel.
I grew up in Fort Lauderdale, surrounded by jazz, calypso, and reggae. My parents often played tapes of steel drum bands around the house that they had brought back from their Caribbean vacations. I started playing bass in my brother's rock band when I was
nine. By the time I was thirteen a local bass player, Jaco Pastorius, became famous when he joined the world's top jazz group, Weather
Report. Jaco had a huge influence on my life and my music. He incorporated steel drums into many of his sophisticated and modern
compositions. To understand some of what he was doing I had to become a serious student of music theory. In 1981, while in music
school at Florida State University I bought my first steel drum. After a few years I moved to California to find work. I was lucky enough to join up
with a group of Trinidadian pan players in Los Angeles who taught me the authentic music of the Caribbean. It was during this time
that I made the transition from bass to full-time pan player. We played at every theme park, hotel, zoo, resort,
fair, bar, or restaurant with live music in Southern California. After ten years of playing twelve gigs a week on the West Coast
it was time to get back to my roots and my family in South Florida. |
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